So let me tell you about the new club. It's one of the spots I visited back in November before moving to Cincinnati, and is probably the closest one to where I live. There are some clubs across the river in Kentucky, but they're bikini bars and the dancers make their money from drink commissions, so I can't imagine they're that lucrative. This one is over in Indiana, so on my way there I drive through all three states, Ohio, Indiana, and Kentucky. That thirty minutes would barely get you out of Travis Country back in Austin.
I was struck by how friendly everyone was--it's a neighborhood bar in the best sense of the phrase. Certainly there's the usual amount of drama between dancers but I've been treated pretty well as a new girl, something that's hardly a given in smaller clubs. In larger ones, your coworkers usually don't care since there's always new hires coming in. Smaller clubs tend to have more delicately balanced social orders, and many of the dancers who work in them have a different approach to the job. This can involve being overly posessive of customers, music, styles of dress or just about anything else a dancer can claim. So I've been pleasantly surprised so far.
I'm not sure what the money potential will be; I'm going to be working my first weekend night tomorrow, so we'll see how it goes. However, I'm willing to take about a 20% pay cut, as it were, to be able to stay closer to home (that's about what I spent in travel costs last month). The dances are very cheap at $15, and most of the girls do a variation on a grind for most of the song. I prefer to switch it up a little more than that but I haven't found it to impair my ability to sell multiple dances; it is definitely the exception here for a customer to only buy one dance. Most buy 2-4.
The whole money system is bizarre; after each stage set or round of dances you must turn in your cash to the bartender, who hands you a receipt. Envelopes with dancers' names written on them are all along the DJ board, and we put our receipts in them throughout the night. You also get a ticket each time a customer buys you an $8 "cocktail" (soda), for which you get $2 each. At the end of the night, the bartender tallies up your earnings, takes out 20% as the house cut and hands you your 80% in cash. Out of your net, the DJ is to get 5%, which is pretty healthy considering that a) the DJ doesn't actually play any music because it's all on a jukebox and
b) we are expected to hustle customers for $2 to play our sets on it. So the DJ gets 5% of our net earnings for announcing our names, basically. And on my first night, the one who was working hinted for extra. "It's 5%, plus whatever extra you want to tip." Ha. The bar deserves a better tip than that.
However, there is no flat house fee or other mandatory tipout required, so it would be impossible to leave the club in the hole no matter how bad the night went.
I remember how amused I was the first time I saw a jukebox in the titty bar, at Mary's Club in Portland, where the dancers also have to do the "Dollar for the jukebox?" hustle. Hee. Now, I think it's hilarious and bush league and even a little demeaning to have to ask customers for a buck before you get on stage, but that didn't stop me from thinking, "Cheap asshole" the first time I saw a guy turn down a girl who asked him for a dollar. "I paid $5 at the door. They can play all the damn music they want!" Oooh, five whole dollars! And I think the most expensive drink you could buy would be about that, too. It would take you an hour to run through $100 here, in drinks, dances, and stage tips, an amount that would be gone in 15 minutes in some clubs I've worked in.
So it's smalltime, but it's comfy and clean. I have not seen a dancer get wasted yet, haven't seen anyone do anything questionable at all. The staff is friendly and they seem to do their jobs. I really hope it pans out because I am fucking loving coming home at night to sleep in my own damn bed.