The day that pile of money landed on my stage was also a day when I'd hauled my laptop into the club. There was a project with a deadline, the deadline had passed, and the real deadline was that night. It was a Sunday, though, and I figured I could multitask by doing stages, a few dances, and spending my downtime in the dressing room hacking into the club's wireless network (what the hell is up with passwords that are the same as network names?) and finishing up the work. But no, some athletes and assorted entourage members came in and made it rain. I hope that explanation satisfies everyone, because I don't like to name names. More on that separately; I have been meaning to expound on my view of stripper-client confidentiality for some time.
Yesterday was similar. With my head buzzing from hours spent in front of the computer, with concepts and images and phrases still on my tongue, in my head, and in my fingers, it was time for a sudden change of gears, time to focus on the pretty instead of the smart part of me. I had to start thinking about outfits, makeup, music. It was grating and so sudden that I actually experienced a little stage fright, since I'd been so very far out of performer mode for the previous three days.
And yet . . . once I got to the club it was suddenly very relaxing to be there. My brain was allowed to slow down. It was forced to. I had to stop thinking for a while and focus on the moment. It was like this when I would work after an intense class or after finals. What does that say about me when being stripperfied is relaxing? Probably that I don't mentally relax enough, appearances to the contrary.
It was a mediocre night; decent enough for me thanks to some really nice foreign visitors and a crazy man who sang along (correctly 80% of the time) and identified the following songs correctly: "Go Insane," by Lindsey Buckingham, "Dance This Mess Around," by the B-52s, "Arthur's Theme" by Christopher Cross, and "Captain of Her Heart" by Double. He didn't get Big Black's "The Model." Oh, and lest you think I put a bunch of terrible music on the jukebox, the Christopher Cross and Double were not put there nor played by me, though I appreciate the perverse impulse that made Satori do so. The same one that made her put John Denver on there. She thinks Steely Dan fits into the same category of music to play for an apathetic crowd, but I have to disagree there.







